Similarly, he appears to be moderating his more aggressive policies. He had heralded the “Broken Windows” theory, which holds that, if minor crimes are not addressed, major crimes will follow.
Earlier this year, Bratton brought back Broken Windows author George Kelling as a consultant. Kelling’s tour of the subways led Bratton to promise a crackdown on subway panhandlers and acrobatic dancers. Since then, Bratton has toned down his rhetoric. Now, he says, the dancers could perform in “designated spaces,” although not in subway cars.
Meanwhile, he finds himself in an increasingly ambivalent position as de Blasio supporters continue to criticize the police for past actions.
A group of mothers whose sons were killed by police over the past two decades want the feds and the NYPD’s inspector general to investigate what they say is a pattern of excessive force against young blacks and Latinos.
Bratton, though, has said he’s “comfortable that all of those cases are exhaustively investigated by us, by the appropriate district attorneys’ offices.”
This time around, Bratton seems to be less hands-on than in his previous tenure as commissioner. He recently traveled to Florida, attended the White House Correspondents’ dinner in Washington, and last Friday winged off to Israel with his counter-terrorism chief, John Miller.
What was it that Dinkins’ first police commissioner, Lee Brown, was disparagingly called? It was “Out of Town Brown.”
“You have to understand, the guy never broke a sweat. He’s a guy who manages talent, who is a ‘thought’ leader. He surrounds himself with people who share his vision. He leaves it to others to execute,” a former top NYPD official said of Bratton.
“His idea of giving those acrobatic dancers designated places sounds like smart policing. So long as they don’t do their dancing in the subway cars, it makes sense.”
But, the official notes of Bratton: “There doesn’t seem to be the same fire. He’s no longer inventing something that’s never been done before. Time has proven that his methods work. There may not be the same drive to succeed. Now he’s at the legacy stage.
SEEMS LIKE OLD TIMES. Who was that sitting in on two recent Compstat meetings at Police Plaza? It was none other than the former chief of Department, Louis Anemone, known to readers of this column as the Dark Prince.
With the late, great Jack Maple, Anemone is regarded as the architect of Compstat, which under Bratton became shorthand for department accountability, which, in turn, contributed to the city’s dramatic crime rate decline.
Those early days of Compstat, run by Anemone and Maple, were wild affairs. Maple’s and Anemone’s grilling of hapless commanders became so raw that fistfights erupted.
At one meeting, someone threw a chair. After Anemone insulted an assistant district attorney from Brooklyn, his boss, then-District Attorney Joe Hynes, wrote a formal letter of complaint to Bratton.
At another meeting, Anemone and Maple accused then-chief of detectives Charlie Reuther of “treason” and “heresy.” At yet another, the then-newly appointed Brooklyn Borough South Commander, Tosano Simonetti, began explaining how he had begun reducing crime. On a screen behind him, Anemone flashed a computerized drawing of Pinocchio with his nose growing.
Louie got his comeuppance for that. Bratton’s successor, Howard Safir, promoted Simonetti to first deputy commissioner, jumping him over Anemone.
That was the beginning of Anemone's end.